James Bowman
Velvet Goldmine, written and directed by Todd Haynes, comes with the following “Director’s Statement” Velvet Goldmine is a valentine to…
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Waking Ned Devine, written and directed by Kirk Jones, is a delightfully funny and touching film that, I’m afraid, would…
What Dreams May Come, directed by Vincent Ward from a screenplay by Ron Bass and based on the novel by…
I went out of curiosity to the interesting documentary double billing of Chile, Obstinate Memory and The Battle of Chile…
Clay Pigeons, directed by David Dobkin and written by Matt Healy purports to take place in Montana, though in fact…
Les Demoiselles de Rochefort—which the American distributors are translating as The Young Girls of Rochefort—was directed by the late Jacques…
The Eel, directed by Shohei Imamura, is like so many Japanese films a visual feast which works less well as…
It’s not, unfortunately, The Last Days of Disco, but 54, written and directed by Mark Christopher, covers some of the…
Firelight, written and directed by William Nicholson (Shadowlands, Nell), is a contemporary chick-flick, one of those costume drama romances that…
Let’s Talk About Sex is written and directed by Troy Beyer, who also stars as Jazz, an agony aunt columnist…
A Merry War is the American title given to the adaptation by Robert Bierman (director) and Alan Plater (writer) of…
The Mighty directed by Peter Chelsom and based on the novel by Rodman Philbrick, is at least an improvement annoying…