Celebration of Bruce Cole
On January 14, EPPC and friends hosted an evening honoring Bruce Cole’s legacy and his posthumously published book Art from the Swamp.
Bruce Cole, R.I.P.
Scholars and staff of the Ethics and Public Policy Center mourn the sudden death of Bruce Cole, an EPPC Senior Fellow since 2012.
Seeing a Donor’s Vision
Cognoscenti of Asian art as well as tourists to the National Mall will find joy, knowledge and instruction in the Smithsonian’s Freer and Sackler Galleries.
Smithsonian: Still in Shambles
Overall, the new galleries in the Smithsonian Museum of American History are as bulging and confusing as their older counterparts elsewhere in the building. Americans, many of whom know little about their country’s history, will be no better enlightened, educated, or inspired than they were before.
Culture and Art in a Populist Age
Monday, October 30th, 2017 9:00 am – 5:30 pm Dupont Circle Hotel 1500 New Hampshire Ave, NW Washington, DC 20036 This one-day conference explored the immediate future of the arts within the dynamic and controversial political environment that has emerged in the wake of the 2016 elections. How does the recent strand of populism affect the arts and humanities […]
Balloonists & Cherry Blossoms
On “Clouds in a Bag” at the Steven F. Udvar-Hazy Center & “Inventing Utamaro” at the Freer Gallery of Art in Washington, D.C.
Stormy Mood, Tempestuous Brushstrokes
Titian’s portrait of ‘Doge Andrea Gritti’ is in almost the same condition as the day it left the artist’s studio.
Jeff Koons’ Big Bunch of Banality
A proposed design for a memorial to victims of terrorism in Paris is contentless, ahistorical, lightweight, and just plain silly.
The Museum as “Town Hall”
There are ongoing attempts to abandon curatorial authority, and quality, in order to turn museums into something between a town hall and a community center. And, amazingly, directors and curators themselves are leading these efforts.
The chief reason to buy The Spectacle of Skill, a new anthology of Robert Hughes’s writings, is for Hughes’s memoir, though everything in it is worth reading for the first or the fifth time.