Published July 29, 2024
The opening ceremony of the Paris Olympics will be remembered as an eloquent testimony to the tilt of contemporary Western culture. The drag queen parody of da Vinci’s The Last Supper and the appearance of the severed head of Marie Antoinette performing karaoke said it all: A culture that has given the world the plays of Racine and Molière, the novels of Stendhal and Hugo, the paintings of the Impressionists, and the music of Berlioz and Fauré served the world a dish of blasphemous kitsch and gaudy perversion.
Of course, those responsible denied any intention to offend Christians: “Clearly, there was never an intention to show disrespect towards any religious group or belief,” organizers said in a statement to The Telegraph. “On the contrary, each of the tableaux in the Paris 2024 Opening Ceremony were intended to celebrate community and tolerance.” Organizers further noted that pop culture, from The Simpsons to The Sopranos, has parodied The Last Supper for decades, if not centuries.
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Carl R. Trueman is a fellow in EPPC’s Evangelicals in Civic Life Program, where his work focuses on helping civic leaders and policy makers better understand the deep roots of our current cultural malaise. In addition to his scholarship on the intellectual foundations of expressive individualism and the sexual revolution, Trueman is also interested in the origins, rise, and current use of critical theory by progressives. He serves as a professor at Grove City College.
