Bruce Cole

In Memoriam, 1938-2018

Bruce Cole was a Senior Fellow at the Ethics and Public Policy Center. His areas of expertise included the teaching of American history and civics, and private and federal cultural policy.

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Bruce Cole was a Senior Fellow at the Ethics and Public Policy Center. His areas of expertise included the teaching of American history and civics, and private and federal cultural policy.

Mr. Cole, the former Chairman of the National Endowment for the Humanities, was the author of fourteen books and numerous articles. His fifteenth book, Art from the Swamp, was published in 2018 by Encounter Books.

Under Mr. Cole’s leadership (from 2001 to 2009), the NEH launched key initiatives, including We the People, a program designed to encourage the teaching, study and understanding of American history and culture, and the Picturing America project, which uses great American art to teach our nation’s history and culture in 80,000 schools and public libraries nationwide. He also created the NEH’s Digital Humanities Initiative and Office, which made the NEH a national leader in this new frontier of humanities access and knowledge. Under his tenure—the longest in NEH history—the NEH developed partnerships with several foreign countries, including Mexico and China. Mr. Cole managed a budget of $150 million and a staff of 170 and was responsible for awards totaling over $800 million dollars.

Before taking the NEH chairmanship, Mr. Cole was Distinguished Professor of Art History and Professor of Comparative Literature at Indiana University in Bloomington. In 2008, he received the President’s Medal from the University for “excellence in service, achievement and teaching.” In 2006, Governor Mitch Daniels awarded Mr. Cole the Sagamore of the Wabash, which recognizes individuals who have brought distinction to the state of Indiana.

Born in Ohio, Mr. Cole earned his B.A. from Case Western Reserve University, a master’s degree from Oberlin College, and a doctorate from Bryn Mawr College. He was a recipient of nine honorary doctorate degrees. For two years he was the William E. Suida Fellow at the Kunsthistorisches Institut in Florence. Mr. Cole held fellowships and grants from the Guggenheim Foundation, the American Council of Learned Societies, the Kress Foundation, the American Philosophical Society, and the Center for Medieval and Renaissance Studies at the University of California, Los Angeles. He was a corresponding member of the Accademia Senese degli Intronati, the oldest learned society in Europe.

Mr. Cole served as a delegate on the U.S. National Commission for the United Nations Educational, Scientific, and Cultural Organization (UNESCO), on the boards of the Woodrow Wilson Center and the Norman Rockwell Museum, and as a Senate-appointed member of the National Advisory Committee on Institutional Quality and Integrity. He was also a member of the boards of American Heritage and the Jack Miller Center. In 2010, Mr. Cole was appointed by Governor Mitch Daniels to a three-year term on Indiana University’s Board of Trustees.

In 2008, President George W. Bush awarded Mr. Cole the Presidential Citizens Medal “for his work to strengthen our national memory and ensure that our country’s heritage is passed on to future generations.” The medal is second only to the Presidential Medal of Freedom among the honors the President can confer upon a civilian. Also in 2008, Mr. Cole was decorated Knight of the Grand Cross, the highest honor of the Republic of Italy.

In August 2013, Mr. Cole was appointed by President Barack Obama to the Dwight D. Eisenhower Memorial Commission.


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Narrow Windows

Bruce Cole

A narrowly-focused exhibition of Andrew Wyeth’s works at the National Gallery in Washington offers some highlights, but many visitors will find it confusing or disappointing.

Articles

Wall Street Journal / July 15, 2014

Highbrow Taste, Mass Appeal

Bruce Cole

A new exhibition at Tate Britain highlights art historian Kenneth Clark’s contributions to British culture.

Articles

Wall Street Journal / July 2, 2014

Painting a False Portrait

Bruce Cole

A new book about Norman Rockwell offers a bizarre perspective on the beloved artist’s life and work.

Articles

The New Criterion / May 1, 2014

Monuments Men

Bruce Cole

During World War II, an improbable little band of museum directors, curators, art historians, and artists worked to rescue Europe’s treasures from the Nazis.

Articles

The Weekly Standard / February 10, 2014

The MLA’s Moral and Intellectual Bankruptcy is a Symptom of the Academy’s Decline

Bruce Cole

The boycott of Israel by the MLA and ASA shows that those organizations are little more than thinly-disguised political pressure groups.

Articles

Daily Caller / January 20, 2014

Bursting the Hirshhorn’s Bubble

Bruce Cole

A former Hirshhorn director’s ill-advised attempt to install an inflatable bubble atop the museum has damaged the institution’s reputation and its financial standing.

Articles

The New Criterion / December 1, 2013

Stilling the Pulse of Time

Bruce Cole

The stark, somber, unadorned form of the Cenotaph is a fitting memorial to Britain’s World War I dead.

Articles

Wall Street Journal / November 8, 2013

The Sunken Treasures of the Arabia

Bruce Cole

The steamboat Arabia sank in 1856 near Kansas City, and it lay buried in the mud until it was unearthed in 1988. Its 220 tons of perfectly preserved cargo are now on display in a remarkable museum.

Articles

Wall Street Journal / September 4, 2013

Reviving Alfred Munnings

Bruce Cole

Despite an endorsement from Winston Churchill, nothing could rescue Alfred Munnings’s reputation after he refuted modernism. A new exhibit attempts to change that.

Articles

Wall Street Journal / July 15, 2013

The Grand Tradition

Bruce Cole

The Smithsonian American Art Museum’s Civil War era exhibition displays important masterpieces but ultimately fails to fulfill the museum’s role as a federally-funded cultural institution meant to serve the nation’s citizens.

Articles

National Review / April 8, 2013

Gadfly of the Arts

Bruce Cole

Although Camille Paglia often opines on the visual arts, Glittering Images is her first book devoted solely to the subject. In it, she tries to “chart the history and styles of Western art,” in an “attempt to reach a general audience for whom art is not a daily presence.” The journey doesn’t quite reach its destination, but with Paglia at the wheel, it’s a fascinating if bumpy ride.

Articles

National Review / December 31, 2012

The Sad and Sorry Smithsonian

Bruce Cole

The National Museum of American History is an overpowering marble eyesore, but its interior is even worse–a senseless hodgepodge of displays that reflect the modern academic disdain for narrative history.

Articles

The New Criterion / December 5, 2012